Tag: Books
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Big news incoming.
Things have been brewing quickly in the mad scientist’s lab of my brain, and the results are almost ready to escape into the world. How soon? Weeks, not months. Here’s what’s going on. Trying to Be Good Trying to Be Good is a small, quiet book.It isn’t a memoir in the traditional sense, and it…
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The Lying Years Is Out — and Where the Work Is Headed Now
I quietly released The Lying Years this week. There wasn’t a launch plan or a marketing push. I didn’t run ads or build anticipation. I posted about it a few times and let it go. That wasn’t avoidance. It was intentional. What The Lying Years Is The Lying Years is the second of two memoirs…
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What the AI Thought About My Reading Habits
Based on the Books and Comics That Shaped Me If you really want to understand a writer, don’t ask them about their influences.Ask them what they consumed when they were too young to know they were forming a worldview. When the AI looked at the books and comics that shaped me, it didn’t see a…
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My College Comics: How they show my path as a writer.
By Francis Anderson When I think about how I became a writer, I don’t picture the usual origin scenes. I don’t picture myself reading The Chronicle of Narnia on my bedroom floor, or staying up late with Stephen King novels I was far too young to understand. I don’t even picture the first time a…
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The Quiet Work of Patience (and Why I Don’t Force My Books Anymore)
I’ve learned something about myself as a writer that I wish I’d understood years ago: My best work happens when I’m not working. Not in the literal sense — I write constantly. But the real shape of a book doesn’t come from typing. It comes from the quiet, invisible stages in between. I move through…
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The Literary Revolution No One Wants to Admit Is Happening
By Francis Anderson, Fulcrum & Axis Press For most of my life, writing felt like a lonely act — a private wrestling match with memory, imagination, and the page. Then, almost overnight, something changed. A new tool arrived, not with fanfare or permission, but with a quiet suggestion: “Try me.” People expected a calculator.Or a…
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How The Lying Years Connects to Everything Else I Write
(And Why the Memoir Is the Key to My Entire Universe) When people hear I’m working on a recursive novel cycle, a supernatural thriller, a grief-driven metafiction, and a memoir all at once, they usually assume the memoir is the “real-life” outlier — the personal book sitting off to the side while the imaginative fiction…
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Jazz Writing, AI Partnership, and Wolf Wounds
I’m gearing up for a second round of Wolf Wounds work, and before I dive back in, I need to explain something about my process—because I’m beginning to see that I work differently than most writers, and that difference is going to matter for anyone following along. A few nights ago, I joked that I…
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THE SPIRE MANIFESTO
How My Stories Connect, Why I Write Across Genres, and What the Spire Really Is I don’t write books the way other people do.I don’t pick a genre, plant a flag, and stay there. I can’t.My brain doesn’t work in straight lines. My life didn’t either. Instead, I write the way I live: in recursion,in…
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UPDATE #6 — The Night the Book Found Its Face
There’s always a moment in every project where the story stops being “an idea” and becomes an object — something with weight, tone, texture, a pulse. For WOLVENBOUND: HIS DARKEST HUNGER, that moment finally hit tonight. And it wasn’t during outlining.It wasn’t during character-building.It wasn’t during the Grammar-for-the-Dead universe talk or the Axis metaphysics.It wasn’t…
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The Secret Thread Beneath Wolf Wounds – Update #5
(How It Quietly Connects to the Grammar for the Dead Universe)** As I’ve been building Wolf Wounds — shaping the outline, organizing the acts in Atticus, figuring out emotional arcs — I’ve also been thinking about how this book fits inside the larger universe I’m creating across all my projects. Some readers already know about…
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Wolf Wounds Update #4 — Building the Full Outline
Today I want to walk through the exact process I used to turn Wolf Wounds from a loose idea into a full structural outline. It started, as most of my books do, with a call-and-response session between me and the AI — a creative volley where I push, it pushes back, and together we find…
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Wolf Wounds — Update 3
How I Actually Build a Story With AI (The Real Process)** Dec 6, 2025 Every book teaches me something different, and Wolf Wounds is teaching me how to trust the process more than the hype. I’m not trying to “make content.” I’m trying to build something honest that feels alive. So this update isn’t about…
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An Introduction to The Cancer Diet and The Lying Years
Two memoirs. One story told from opposite sides of the same collapse. Some books are written to chronicle a life.These two were written to survive one. The Cancer Diet and The Lying Years form a matched pair—two memoirs that circle the same events, the same wounds, the same city, and the same self, but from…
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How a Trope Became a Lifeline in WOLF WOUNDS – Wolf Wounds Update 2
Every book reaches a moment where the plot stops needing more monsters, explosions, or twists —and starts needing a person. Not a hero.Not a villain.Not a love interest. A functional adult who walks onstage and stabilizes the room simply by existing. Someone who knows the world already.Someone who has been through hell and can translate…
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HOW THE WOLF WAS BORN – Update 1
(A Development Chronicle) The full, messy, neon-soaked story of how this thing came alive. A lot of my best ideas don’t start as polished pitches — they start as scraps. A stem. A vibe. A sentence that feels like it has teeth. This one started with a stem so simple it felt almost stupid: A…
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The Myth of AI Slop: Why the Internet Is Yelling at Ghosts
By Frank M. Anderson I don’t know when exactly “AI slop” became a slur, but it’s out there. Somewhere between a Reddit review and a Kindle comment, the phrase crystallized: AI + book = trash. That equation is broadcast like a fact — unexamined, unproven, dismissed. Here’s the truth: what people call “AI-slop” is almost…
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The Fulcrum & Axis Theorem: Why I Write the Way I Write
Every writer has a center of gravity—some quiet idea their work keeps returning to, even when they aren’t trying. It took me years, a memoir, a few broken novels, and a whole lot of personal upheaval to understand mine. I call it The Fulcrum & Axis Theorem. It sounds fancy, but I promise it’s not.…
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Welcome to Fulcrum & Axis Press. Home of the writings of Frank M. Anderson.
If Tolkien explored extreme goodness in the face of extreme evil, my work asks something more intimate, more unsettling:What is the nature of you?And—once you see the world clearly—what do you do with that knowledge? Where Tolkien gave us mythic clarity and King gave us mythic suffering,the universes I am creating push into the space…
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Writing Update — My Six-Month Release Plan & Where Every Project Stands
Over the last year, my creative life has shifted in a major way. I’m writing steadily, finishing work, and starting to see how all my books — memoirs, fiction, and strange hybrid projects — fit together. For the first time, I’m choosing to treat writing like a long-term career rather than a string of isolated…
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The Cancer Diet — Chapter 13: A Ghost in My Own City
June 18, 2025 The release of The Cancer Diet is less than a month away, and I want to give you a glimpse of what’s inside. Today, I’m sharing Chapter 13: A Ghost in My Own City. I’m offering this one without much context—because I think it speaks for itself. It stands alone. And it…
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The Star Wars Collapse and the Case for Telling One Big Story That Matters
I love Star Wars. I always have. But the problems with it aren’t simple anymore. They’re layered, cultural, and, yes—political. Part of it is that the people “own” Star Wars now, and just like in politics, those people are divided and being steered by grifters and MAGA trolls. But the other part—the deeper part—is on…
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Where Does Unto a Golden Dawn Fit Into Modern Sci-Fi?
I’ve been wondering lately what kind of story I’ve written. Unto a Golden Dawn doesn’t have alien invasions, space colonies, or AIs plotting to wipe us out. But it does bend time. It breaks narrative rules. It speculates—about memory, grief, occult recursion, and metaphysical authorship. So I went looking: what does the sci-fi world look…
